Review: Untamed Encounters: Contemporary Jewelry from Extraordinary Gemstones

Untamed Encounters: Contemporary Jewelry from Extraordinary Gemstones

  • Mimi Lipton
  • 245 pages, 260 color illustrations
  • Hardcover
  • Publisher: Thames & Hudson
  • 2014

Untamed Encounters: Contemporary Jewelry from Extraordinary Gemstones is a print gallery of 80 pieces of jewelry commissioned by collector and author Mimi Lipton, whose interests run not to faceted and finished stones, but to unfinished, raw materials: mineral crystals, pieces of opal broken from the vein, gems inextricably bound to the matrix in which they have formed, coral worn by the ocean, unusual Baltic amber, and strangely shaped freshwater pearls. In her travels throughout the world, Lipton has also discovered carved pieces of amber, bone, ivory and jade, as well as coral nuggets from old jewelry.

Crystals that take millennia to form and rise to the Earth’s surface, the accident of their survival a small miracle; corals burnished by sea and sand into stark, skeletal shapes. Each unique “untamed” piece shows us the beauty and power often inherent in the unfinished and the worn. They are reminiscent of ancient talismanic jewelry in which raw materials of surpassing beauty or strange shape were thought to hold magical powers. Or perhaps they were simply beautiful to look at and to hold.

Suiting the international provenance of these raw materials, Lipton has worked with an international group of seven jewelry artists to create large, bold, unusual works that emphasize the uniqueness of each material. The pieces are often inspired by ethnic jewelry Lipton has encountered in her travels. While most are in 22 kt. gold, some pieces include iron, silver, driftwood, silk cord. Many of the rough-hewn pieces echo the unfinished quality of the materials set into them. Others contrast the rugged quality of the materials with smoothly finished metal.

Illustrated with 260 large format color photographs, many of them extreme close ups, the book allows readers to visually examine these works in detail, from mineral and stone shapes and surfaces, to material textures, to craftsmanship and connections. So that nothing interrupts the visual feast, a section at the end of the book provides material and artist information next to thumbnails of each piece. Another section provides contributor biographies.

If anything is missing, it is the stories behind the pieces: where and how Lipton discovered each one, what they mean to her, the story behind each creation—her vision and the artists’ visions and how those met and evolved into finished jewelry. Collaboration is an art in itself and it would have been interesting and enlightening to see how the artists and the collector communicated to create these unique pieces.

However, Untamed Encounters: Contemporary Jewelry from Extraordinary Gemstones is certain to be a treat for anyone who appreciates and/or collects jewelry. It inspires us to take a second look at the world and asks us to question our definition of beauty and preciousness.

This review first appeared in Gems & Gemology.

Jewelry Tips from Old Magazines

FullSizeRenderIf your old jewelry magazines are overflowing the shelf they’re allotted, before you toss them, take one last quick look through them. You might remember the reason you kept them in the first place. Or you might find a reason to keep them for a bit longer.

This morning I made just such a trip through my old MJSA Journals–always a source of good technical information. And in the January 2013 issue, I came across a great tip for anyone making, than tumbling, metal beads in Shawna Kulpa’s “The Last Idea” column.

While tumbling shot is great for finishing the surface of the beads, it can tend to wedge itself almost irretrievably into the bead holes. So what then?

Kulpa reported that jewelry maker Linda Gasparini had found the answer to that question on the Ganoksin Orchid e-mail forum.

Put the beads, one at a time, into a plastic box and shake them like a James Bond martini. (Gasparini put all the beads back into her tumbler, sans shot, and it worked like a charm. The one final stubborn piece of shot came out with a magnet.

But to prevent the same thing happening in the future, her friends at Ganoksin suggested she fill the holes of the beads before tumbling–a pipe cleaner works very well. Just twist the ends to keep it in place.

Time to check those old magazines?